Photographs by Mark Oatney
Text by Clara Weygandt
 |
As a child wild grasses were magic. A mysterious,
rustling world. I tasted it, rolled on it, laid back in
it when it grew tall; and looked up through it to the
sky. |
 |
In California, grass defines our seasons. Instead of
being gray and white, winter becomes the overlap of fall
and spring. With the return of rain, new grass sprouts
through a fallen maple leaf. In spring, the
hillsides become vibrant green, and in summer gold and
silver heads catch the light and cast it back in opulent
waves. |
 |
 |
 |
Where I live, naturalized grasses like common velvet
grass cover the hills. Less vigorous natives like
Agrostis pallens are in small evidence: the heads dainty
above delicate blades. Why isn't it more common? I
wonder. But neither Agrostis, nor Bromus carinatus --
California Brome -- wispy and straggling, can compete
with the more robust invasives. |
These invasives affect the land in less subtle ways
as well. Driving north on the coast road I see hills
scarred with erosion. Shouldn't grass prevent that? A
soil scientist tells me how saline soils repel each
other; they don't clump when they're wet. This forms
hollow piping underground. Eventually these pipes
collapse, and the erosion accelerates. He says
there's a theory that native perennials with long roots
would better hold the soils in place. I realize there is
more going on than meets my eye, that the roots hold on
to what otherwise would wash away. |
 |
 |
Next time I drive the coast, I stop by a meadow, walk
away from the road, and lie in the grass. I see the
heads above me, feel the blades tickling my
face. What success. What an extraordinary beautiful
design. I know certain bunch grasses are over 200 years
old, and seeds have been found floating in air currents
5,000 feet up. |
I think about grass spreading across the landscape
like cloth. How below ground, roots trickle down, curl
into cracks in the bedrock, reaching deep, anchoring the
earth. |
 |
Photos © 2000 Mark Oatney, text © 2000 Clara
Weygandt. All rights reserved. No photograph or text may be
reproduced, stored, transmitted, or used in any way - via any
electronic or printed medium - without written permission from
copyright owner.
About the Photographer
MARK OATNEY has a BA in biology, and has propagated rare
plants and tracked Spotted Owls throughout the northwest. In
1997 Mark made the change from science to photography as his
creative medium of choice. His photographs, whether black and
white landscapes or abstractions of native plants, are widely
praised for their imaginative imagery and innovative technique.
For more information, or to see a much broader selection of his
free-lance and fine art photographs, visit his website at www.oatney.com.
About the Author
CLARA WEYGANDT has spent five summers monitoring the
revegetation of plants along a pipeline in eastern California.
She has published poetry and essays in various small presses, as
well as natural history articles in a national dive magazine.
She has a BA in environmental studies from the University of
Santa Cruz, California, and is currently working on a Masters in
environmental writing at the University of Montana, Missoula.
|