Photographs by Mark Oatney
Text by Clara Weygandt
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The first flowers I remember were formal. Roses.
Ranunculus. Carnations. All serious sounding names, the
colors deep soft pinks and reds. When you put them in a
vase, they stood straight up. Then there were daisies.
Bright yellow and gleaming white. Irritatingly cheerful.
And the name: daisy. So casual. They smelled sharp and
pungent, flopped out of the vase, hung down the sides.
They were not my favorite flowers. |
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But in my early botany classes, I learned about
Asteraceae. Under the dissecting scope I saw a new
world; hundreds of tiny individual flowers. The Latin
was wonderful. Senecios, Erigerons, Cirsiums. I enjoyed
the common names too, like groundsel and pussy-toes
because they rolled on my tongue like marbles. Or
fleabane daisy because it made me feel like I was in the
middle ages. I mostly liked the fleabane part though.
Daisy was still too simple. |
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Then one evening I was reading Mother Tongue by Bill
Bryson. In the chapter on how English has changed over
time I stumbled over "...daisy was originally day's
eye." I thought about how dark our world used to
be, how everything was lit by candles, and fire. And
how, even on gray days the yellows and whites of
composites would glow. Pale circles in a darker ground.
It was the perfect name. Day's eye.
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In the field I saw composites, especially the
natives, with new
appreciation. Many were shrubs, like artemisa and
baccharis. The classic Wyethia mollis, the Latin a
complete mouthful; the common name of mule's ears easy
to remember once I saw the tall furry leaves. Beautiful
Balsamorhiza sagittata, blooming generous and golden
among desert peach and bitter brush. I discovered that
certain arnica leaves had a scent that was indescribably
delicious. Once we found an arnica whose flower smelled
like chocolate. I was entranced. I saw Blepharipappus
scaber, the small white and purple flowers so thick that
when I waded through them, I felt like I was crossing
some dancing, light-catching river. |
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Now when I see composites I think of the earth as the
sky, and the flowers as stars. All those eyes of the
day, the brilliant colors and symmetrical shape
scattered over the sides of hills, the sides of roads,
along arroyos and gullies, every inflorescence a
reflection of light, a small reminder of the sun. |
Photos © 1999 Mark Oatney, text © 1999 Clara
Weygandt. All rights reserved. No photograph or text may be
reproduced, stored, transmitted, or used in any way - via any
electronic or printed medium - without written permission from
copyright owner.
About the Photographer
MARK OATNEY has a BA in biology, and has propagated rare
plants and tracked Spotted Owls throughout the northwest. In
1997 Mark made the change from science to photography as his
creative medium of choice. His photographs, whether black and
white landscapes or abstractions of native plants, are widely
praised for their imaginative imagery and innovative technique.
For more information, or to see a much broader selection of his
free-lance and fine art photographs, visit his website at www.oatney.com.
About the Author
CLARA WEYGANDT has spent five summers monitoring the
revegetation of plants along a pipeline in eastern California.
She has published poetry and essays in various small presses, as
well as natural history articles in a national dive magazine.
She has a BA in environmental studies from the University of
Santa Cruz, California, and is currently working on a Masters in
environmental writing at the
University of Montana, Missoula.
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